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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, plate 2 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
ca. 1646
Plate 12: a shepherd sleeping on the ground to right, three horses to left, other horses and various figures to right, the Baths of Diocletian in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)
Stefano della Bella
ca. 1643–48
Le Saules au Bord de l'Eau (The Willows at the Waterfront), plate 23 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
The martyrdom of Saint Erasmus, tied at center, a bishop at left reaching towards him, soldiers behind him and at right, an angel overhead holding a laurel wreath
Jerôme David
ca. 1625–70
Hunting Scenes, No. 6: Hare Hunting
Etienne Delaune
before 1556
Two Different Halves of Cartouches Each Showing an Eagle Fighting a Serpent
Stefano della Bella
1646
Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)
Stefano della Bella
ca. 1643–48
Plate 3: An officer giving orders to a soldier in centre foreground, cannon at left, from 'Various Military Caprices' (Varii capricci militari)
Stefano della Bella
ca. 1641
Le Paysan Frappant son Ane (The Peasant Striking his Donkey), plate 25 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
La Religieuse Tenant La Sainte Croix (The Nun Holds the Cross), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 21
Jacques Callot
1621–35
A ship disembarking to left, two galley slaves stand and one sits next to a barrel to right, various other figures on the shore, a mountain to right in the background, from 'Varie figure'
Stefano della Bella
ca. 1645
Les Bergers Défendant leur Troupeau (The Shepherds Defending their Herd), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 4
Jacques Callot
1625–31
Narcisse se Mirant dans l'Eau (Narcissus Looking at Himself in the Water), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 22
Jacques Callot
1621–35
Le Saules au Bord de l'Eau (The Willows at the Waterfront), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 23
Jacques Callot
1621–35
Cartouche with Two Leopards and Acanthus
Stefano della Bella
1646
Les Tulipes et le Soleil (The Tulips and the Sun), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 6
Jacques Callot
1621–35
Plate 2: A cannon to the left, a town in the background, from 'Various Military Caprices' (Varii capricci militari)
Stefano della Bella
ca. 1641
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from 'Varie figure'
Stefano della Bella
ca. 1645
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from 'Twelve cartouches' (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
ca. 1650–56
Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
ca. 1650–56
Le Chandelier (The Candlabra), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 3
Jacques Callot
1621–35
Seven Vases
Stefano della Bella
1646
Music
Gilles Rousselet
17th century
The Virgin and Christ Child Served by Angels
Laurent de La Hyre
1640
Le Serpent (The Serpent), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 9
Jacques Callot
1621–35
L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), plate 13 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot
1646
Une Ecrevisse Regardant Le Soleil (A Crayfish Looking at the Sun), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 18
Jacques Callot
1621–35
Ship Being Refitted
Stefano della Bella
1639
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from 'Twelve cartouches' (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Atabalipa, Roi du Pérou
Jerôme David
ca. 1634–37
Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
ca. 1650–56
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from 'Twelve cartouches' (Recueil de douze cartouches)
François Collignon
ca. 1640–45
A shepherd sleeping on the ground at right, three horses at left, other horses and various figures to right, the Baths of Diocletian in the background, plate 12 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
ca. 1646
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from 'Twelve cartouches' (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Un Aigle Jetant une Vieille Plume (An Eagle Dropping an Old Feather), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 15
Jacques Callot
1621–35
Naval Combat
Stefano della Bella
1639
Frontispiece, from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters)
Jacques Callot
1621–35
Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middleground, various animals and people in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)
Stefano della Bella
ca. 1643–48
Refitting of Two Barques
Stefano della Bella
1634 and 1639